Press about Tyler
“Tyler Milchmann's "Strange Days" is very soothing at points, very funny, and is often times just as dark. It's fairly unique in comparison to a lot of the shit I've been listening to lately both outside of reviewing and inside. What's more is that the album is half sung in German, and half sung in English, This makes for an interesting formula, as both parts as sung very well, and neither side seems to strained over the other”.
“Tyler Milchmann created an album of high quality and pure anger. Songs like In der Ukraine or Where The Iron Crosses Never Grow give you a thrill and goose bumps cover your skin while you’re listening to them. This album is full of rage, sarcasm and venomous mockery, however it makes you feel joy at the same time”.
Nightshade, Germany
“Dreary orchestral arrangements spliced with playful electro/industrial rhythms and strong theatrical vocals demonstrate the sheer creativity and promise this up-and-coming Ukrainian talent possesses”.
“One of the most impressive debuts I’ve ever seen. Complicated diverse rhythms and dark pompous orchestral arrangements are filling the space around you with a heavy feeling of mourning and sorrow. Curiously enough, it’s a very pleasant feeling. Rage and chaos, wild rhythms, hypnotic and sinister atmosphere... Tyler’s texts set you thinking. Strange Days is a rough, intensive, dark and melodic album with some humor (very black humor of course). This album should surely take its place on the shelves of electronic music fans, as it’s almost impossible not to start dancing while listening to it”.
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"Tyler Milchmann's second album, "Die Leiden" (The Sufferings or The Sorrows) continues to improve upon his brand of aggressive orchestral electro-industrial mayhem, which marries Neue Deutsche Todeskunst morbidity to the hyper-masculine militarism and over-enunciated vocal stylings of Neue Deutsche Härte.
"Die Leiden" is definitely a solid release you won't want to miss, and Tyler is a rising talent to keep an eye (or ear) on".
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“The Eastern Europeans have been throwing out some interesting and very promising new acts, of which it seems Tyler Milchmann looks set to find himself at the head of. His predominantly German lyrics will appeal to the Germanophiles out there, but his penchant for a strong dance beat and slightly outside-of-the-box arrangements will pique plenty of people's interests. Songs like 'Veitstanz', 'Where The Iron Crosses Never Grow', 'Solange Es Noch Warm', 'Alle Kinder' and 'Die Promenade' all have to potential for some serious international club exposure. While the likes of 'Devil Is An Old Man From Radio' and 'Rauch Über Der Elbe' in particular would sound very strong in a live setting“.
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“Tyler’s latest single, "Miracle", is a somber meditation on mortality and the transient nature of existence. Tyler blends swelling neoclassical orchestral arrangements, operatic vocals, melancholic synths, and chuggy metal guitar. Following "Miracle"’s thematic treatment of the sudden loss of a loved one, "Geh auf!" is a semi-mythical account of a hero’s premature journey to the underworld. The foreboding piano is complemented by sorrowful brass notes, and the organ melody that kicks in about a minute into the song sounds like some kind of demented, carnivalesque nineteenth-century ballroom soundtrack”.
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Interview with Tyler in Hedy Mag Magazine (Spain).
